Showing posts with tag: sculpture
Toxic Fragments. Workshop I
Toxic Fragments. Harvesting empathy and coping with ecological grief through touching Year: 2022 Medium: Social engaging workshop Dimensions: Variable Location: Fishing Quarter Gallery. Brighton Seafront. 7th & 10th July 2022 Toxic Fragments is a workshop where participants handle clay and make small objects while talking about the clay’s origins. In this workshop, Arabel is exploring…
Toxic Waves. Performance I
Toxic Waves I. Harvesting empathy and coping with ecological grief through drawing Year: 2021 Medium: Digital Performance Dimensions: Variable Location: CCA, Brighton, UK. Tuesday, 28 Sep 2021, 4.00 – 5.30pm (BST) Toxic Waves I is an online participatory drawing performance that took place in September 2021 at Brighton CCA. Participants were invited to draw waves…
CALL OUT FOR AMATEUR WRITERS – BLUNT BLADES
CALL OUT FOR WRITERS The Higgins Bedford & Arabel LebrusanSeptember 2021 We are looking for amateur or professional writers to take part in a small publication for The Higgins Museum, in Bedford. We would like these individuals to create stories about the history of an artefact. These artefacts are knives, blades and cutlery from the…
Blunt Blades Exchange
Blunt Blades Exchange Year: April 2021 Medium: Social Engaging Art Project with support from Women’s Support Centre Surrey and Quiet Down There Dimensions: variable Blunt Blades Exchange (2021) is a social engagement art project wherein police-confiscated knives were repurposed into rings and given to 9 women at the Women’s Support Centre Surrey in spring 2021….
Toxic Waves
Toxic Waves Year: 2020 Medium: Drawings Dimensions: Variable Toxic Waves is a response against the collapse of a mining waste dam owned by Vale in Brazil, the world’s largest iron ore producer. The failure triggered mudslides, floods and contaminated local rivers with mining waves, resulting in 272 fatalities. Attempting to understand the consequences of the…
In the Toilet #204
In the toilet #204 Year: 2000 – 2020 Medium: Photography. Projection Dimensions: Variable Exhibition: In my house 4. Virtual exhibition. The AntiMA. May 2020. Curator: Abigail Miller “With Arabel’s piece, I was aware that using a toilet in art can become quite Duchamp-y. I wanted to avoid any relation to the readymade object, as I…
Illusions of stability #1 & #2
Illusions of stability #1 & #2 Year: 2015 Medium: Hairdrawings. Lace net, natural hair (Arabel’s hair) Dimensions: 81 x 65 cm Exhibitions: NN Open, 2015-2016. NN Contemporary Art, Northampton. UK Freehold Exhibition (solo). St Albans Museum, St. Albans, UK. July – September 2015. Commissioned by UH Galleries, with support from the Arts Council. Photo Credits: Dan…
Nash Home #1 to #21
Nash Home #1 to #21 Year: 2015 Medium: Brick powder on paper Dimensions: 28 x 19 cm Exhibitions: Freehold Exhibition (solo). St Albans Museum, St. Albans, UK. July – September 2015. Commissioned by UH Galleries, with support from the Arts Council. Photo Credits: Dan Weill “A house constitutes a body of images that give mankind proofs…
Laced Words
Laced Words Year: 2013 Medium: Video & Audio Dimensions: Variable Location: No1 St Paul’s Square, Alamanac Festival, Bedford, 2013. Commissioned by Bedford Creative Arts Arabel Rosillo de Blas & Kathy Hinde. Laced Words elegantly laced the side of a derelict with light and sound. The work celebrates the craftsmanship of lacemakers and site history in…
Homescape. Techitactile
Homescapes. Techitactile Year: 2015 – 2017 Medium: Ready-mades. Small scale. Dollhouse furniture, dolls, electronic components, acrylic paint. Studio rehearsals. Homescapes is a series of assemblage studies using miniature domestic objects. They were produced when working towards her 2015 exhibition ‘Freehold’ at UH Galleries in St Albans Museum. As an artist, Lebrusan is interested in the…