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    • El rosario de la Abuela (Grandmother’s rosary)
  • About
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  • Writting
    • Artist Statement
    • HomeLand | Cassinelli Mills
    • About Blunt Blades _ In conversation with Fatoş Üstek
    • Knives that No Longer Cut | Fatoş Üstek
    • Freehold Thinking | Jeremy Akerman
    • Freehold | Annabel Lucas
    • About Lace in Place | Deborah Dean
    • Mantilla | Sam Cornish
  • Contact
  • Works
    • All Artworks
    • HomeLand
    • Blunt Blades
    • Lace in Place
    • Femicides
    • Coal Measures
    • Toxic Waves
    • Beheaded & Quartered
    • The Book of Horrors and Hopes
    • Freehold
    • El rosario de la Abuela (Grandmother’s rosary)
  • About
  • Exhibitions
  • Writting
    • Artist Statement
    • HomeLand | Cassinelli Mills
    • About Blunt Blades _ In conversation with Fatoş Üstek
    • Knives that No Longer Cut | Fatoş Üstek
    • Freehold Thinking | Jeremy Akerman
    • Freehold | Annabel Lucas
    • About Lace in Place | Deborah Dean
    • Mantilla | Sam Cornish
  • Contact

Arabel Lebrusan

Life

Utrechteditie

Rotterdams Dagblad

Berliner Abendblatt

Telegraaf

Utrechtsniewsblad

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  • Education & Teaching
  • Press
  • Blunt Blades
  • Jewellery Studio
  • Education & Teaching
  • Press
  • Blunt Blades
  • Jewellery Studio

UK-based contemporary sculptor working across object-based, installation, and site-responsive practice.

© 2025 Arabel Lebrusan

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